In our manuscript, we will address the different methods and techniques of playing, as well as the diverse forms used in composition, guiding to the presence of 'ud in modern art and in the finest orchestras of the word nowadays. And in the big concerts of solo (recital). Through western musicians’ innovators, who were curious to find the tune of the instrument expression, such as Sherif Muheddin Haydar, Jamil Bashir, etc. For example, these two mentioned composers were influenced by the composition and forms of occidental music, they are mastered playing the occidental instruments, besides the 'ud, we find the piano, cello and violin. In which led to; that these composers are the first piece’s composer of 'ud in different forms with techniques of unusual playing. So through our analysis, we will discover how these two 'ud players as western composers, were able to be used in forms of occidental compositions and also playing techniques of cello, violin, classic guitar to present the 'ud as a comprehensive and unique tool with a capacity of expression well audible, than just a simple companion in singing and in which level they succeeded. So that they will be musicians with the influence to other players of 'ud today in the Arab world.