This study examines the musical communication of the Ode to the Fatherland. Positioning itself at the level of musicology and social communication, it analyzes the content of that song, that is to say, the constituent elements of its melody, rhythm, harmony and lyrics in order to reveal its deep meaning, and thus to understand what it is deals with, to who it is addressed and for what it is about. The results of the various musical and textual analyses reveal how the Ode to the Fatherland, while it presents itself as a musical communication, is also a social communication. If the former lets hear the sadness and the determination of the Ivorian Man, in a full conscience of the pluralities of opinions and ideas, the latter calls for the qualitative change by inviting to opt courageously for the overcoming in order to go forward. In a congruence of the melody and the words, the Ode appears thus as a true awakener of national patriotic conscience: it speaks of the society to the society to provoke a sacred union able to create the agreement between the daughters and sons of the nation and to put back the country on its feet.