Volume 48, Issue 2, May 2020, Pages 174–187
Didier MUHINDO Siyapata1
1 Institut Supérieur d'Etudes Agronomiques et Vétérinaires, ISEAV, Mushweshwe, BP.19, Bukavu, Sud Kivu, RD Congo
Original language: French
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Throughout «Allah n'est pas obligé», «Les Étoiles écrasées» and «L’Ecart», Kourouma, Nkashama and Mudimbe raise the issue of epic inking in the contemporary Negro-African novel whose web of events is tinged with the orifice and the writing of the social absurd. From this scriptural collision results a profusion of materials of which the epic inspiration of our corpus, from comparative and narratology, constitutes the crossroads.
Author Keywords: Anchoring, epic inspiration, oraliture, social absurd.
Didier MUHINDO Siyapata1
1 Institut Supérieur d'Etudes Agronomiques et Vétérinaires, ISEAV, Mushweshwe, BP.19, Bukavu, Sud Kivu, RD Congo
Original language: French
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
Throughout «Allah n'est pas obligé», «Les Étoiles écrasées» and «L’Ecart», Kourouma, Nkashama and Mudimbe raise the issue of epic inking in the contemporary Negro-African novel whose web of events is tinged with the orifice and the writing of the social absurd. From this scriptural collision results a profusion of materials of which the epic inspiration of our corpus, from comparative and narratology, constitutes the crossroads.
Author Keywords: Anchoring, epic inspiration, oraliture, social absurd.
Abstract: (french)
A travers «Allah n'est pas obligé», «Les Étoiles écrasées» et «L’Ecart», Kourouma, Nkashama et Mudimbe soulèvent la problématique de l'ancrage épique dans le roman négro-africain contemporain dont la trame des évènements est teintée de l'oraliture et l’écriture de l'absurde sociale. De cette collusion scripturale résulte un foisonnement de matériaux dont l'inspiration épique de notre corpus, à partir de la comparative et la narratologie, constitue le carrefour.
Author Keywords: Ancrage, inspiration épique, oraliture, absurde sociale.
How to Cite this Article
Didier MUHINDO Siyapata, “Ancrage de la tendance épique et oraliture à travers « Allah n’est pas obligé », « les étoiles écrasées » et « l’Ecart »,” International Journal of Innovation and Scientific Research, vol. 48, no. 2, pp. 174–187, May 2020.
