[ خصوصيات الشخصية المقامية في الأعمال الأركسترالية العربية المستحدثة لآلة العود ]
Volume 48, Issue 2, May 2020, Pages 164–173
Aziz OUERTANI1
1 Phd Musicology, The Higher Institute of Arts and Crafts, University of Gabes, Tunisia
Original language: Arabic
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
The 'ûd instrument is a musical material element that brings with it a diverse artistic, cultural, civilizational, intellectual, epistemological, accumulations and mutations. As a result, the Arabic music has merged with the occidental civilization which has resulted in several transformations in the Arabic culture. This has created new artistic trends according to certain artistic and perceptive measures. In addition, these recent musical trends have contributed in creating a modern and practical framework for 'ûd which had an impact on the artistic and social status. This cultural integration has contributed in the development and the enhancement of the musical writing of the instrument and has adopted it in new musical styles. This brings us to study these different musical trends and their adequacy with the particularities of the Arabic speech. In this article, we provide a technical musical classification which deals mainly with modal character determination criteria of innovative works of 'ûd through a critical and analytical approach in which we tackle the musical trends problem. This article focuses also on the study of the art work position and its adhesion to the identity element in general as well as to the musical intonation in particular, from new concepts that define the art work identity without considering the specificity of approved norms, thus, it is an attempt to propose more complete classification of the art work which exceed the limits of approved norms.
Author Keywords: 'ûd, musical trends, modal character, musical intonation, identity, orchestral.
Volume 48, Issue 2, May 2020, Pages 164–173
Aziz OUERTANI1
1 Phd Musicology, The Higher Institute of Arts and Crafts, University of Gabes, Tunisia
Original language: Arabic
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
The 'ûd instrument is a musical material element that brings with it a diverse artistic, cultural, civilizational, intellectual, epistemological, accumulations and mutations. As a result, the Arabic music has merged with the occidental civilization which has resulted in several transformations in the Arabic culture. This has created new artistic trends according to certain artistic and perceptive measures. In addition, these recent musical trends have contributed in creating a modern and practical framework for 'ûd which had an impact on the artistic and social status. This cultural integration has contributed in the development and the enhancement of the musical writing of the instrument and has adopted it in new musical styles. This brings us to study these different musical trends and their adequacy with the particularities of the Arabic speech. In this article, we provide a technical musical classification which deals mainly with modal character determination criteria of innovative works of 'ûd through a critical and analytical approach in which we tackle the musical trends problem. This article focuses also on the study of the art work position and its adhesion to the identity element in general as well as to the musical intonation in particular, from new concepts that define the art work identity without considering the specificity of approved norms, thus, it is an attempt to propose more complete classification of the art work which exceed the limits of approved norms.
Author Keywords: 'ûd, musical trends, modal character, musical intonation, identity, orchestral.
Abstract: (arabic)
: تمثّل آلة العود العنصر الموسيقي المادّي الذي يحمل في طياته مختلف التراكمات والتحوّلات الفنية والثقافية والحضارية والفكرية والمعرفية، حيث اندمجت على إثرها الموسيقى العربية من خلال احتكاكها مع الحضارة الغربية، فنتجت عنها عدّة تحوّلات في الثقافة الموسيقية العربية، أفرزت لنا عدّة تفرّعات وتوجّهات إبداعية حديثة حسب مقاييس جمالية وتقبلية معيّنة. كما ساهمت هذه التوجّهات الموسيقية الحديثة في خلق إطار ممارساتي حديث لآلة العود، كان حافزًا في تطوير المكانة الفنية والاجتماعية للآلة، والبحث في وضع كتابة موسيقية خاصّة بالآلة وإثرائها، واعتمادها في أنماط موسيقية مستحدثة. وهذا ما سيدفعنا إلى دراسة مختلف التوجّهات الموسيقية ومدى ملاءمتها مع خصوصيات الخطاب الموسيقي العربي، كما ستحيلنا ورقتنا العلمية هذه إلى وضع تصنيف موسيقي تقني يخص أساسًا معايير تحديد الشخصية المقامية للأعمال المستحدثة الخاصة بآلة العود، من خلال مقاربة تحليلية نقدية نعالج فيها مسألة التوجهات الموسيقية، وتأثيرها على تموقع الأثر الفني ومدى التصاقه بعنصر الهوية عموما واللهجة الموسيقية بالأخص، اعتمادا على مفاهيم جديدة تحدد لنا الهوية المقامية للعمل دون الخوص في الخصوصيات المقامية المعتمدة، وبالتالي محاولة لوضع مقترح لتصنيف أشمل للعمل الموسيقي يتعدى حدود المعايير المقامية المعتمدة.
Author Keywords: عود، توجهات موسيقية، شخصية مقامية، اللهجة، الهوية، الأركسترا.
How to Cite this Article
Aziz OUERTANI, “Modal specificity of the character of innovative Arabic orchestral works for Oud instrument,” International Journal of Innovation and Scientific Research, vol. 48, no. 2, pp. 164–173, May 2020.
