Volume 45, Issue 2, November 2019, Pages 180–192
Didier MUHINDO Siyapata1
1 Institut Supérieur d'Etudes Agronomiques et Vétérinaires, ISEAV, Mushweshwe, BP.19, Bukavu, Sud Kivu, RD Congo
Original language: French
Copyright © 2019 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Throughout “l’Ecart”, a novel by Yves Valentin Mudimbe and “Les étoiles écrasées” by Pius Ngandu Nkashama the problem which is pointed concerns the oral traces in the modern negro-African novel. The comparative approach, as a basis of our investigation depicts therefore, by a socio-poetic aspect, the different scriptural elements that make the loady of the question understudy. It goes from what is oral in order to establish a poetic form of oral literature in the body of our research.
Author Keywords: Traces, orality, oraliture, comparatism, socio-poetic.
Didier MUHINDO Siyapata1
1 Institut Supérieur d'Etudes Agronomiques et Vétérinaires, ISEAV, Mushweshwe, BP.19, Bukavu, Sud Kivu, RD Congo
Original language: French
Copyright © 2019 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
Throughout “l’Ecart”, a novel by Yves Valentin Mudimbe and “Les étoiles écrasées” by Pius Ngandu Nkashama the problem which is pointed concerns the oral traces in the modern negro-African novel. The comparative approach, as a basis of our investigation depicts therefore, by a socio-poetic aspect, the different scriptural elements that make the loady of the question understudy. It goes from what is oral in order to establish a poetic form of oral literature in the body of our research.
Author Keywords: Traces, orality, oraliture, comparatism, socio-poetic.
Abstract: (french)
A travers “L'Ecart” et “Les étoiles écrasées”, Valentin Mudimbe et Pius Ngandu Nkashama problématisent en la redynamisant la question des traces de l'oralité dans le roman négro-africain contemporain. Notre démarche comparative décrypte ainsi, par le biais de la sociopoétique, les spécificités scripturaires que sous-tend cette question et qui procède de la récupération de l'oralité à l'instauration d'une poétique de la littérature orale au sein de notre corpus.
Author Keywords: Traces, oralité, oraliture, comparatisme, sociopoétique.
How to Cite this Article
Didier MUHINDO Siyapata, “Les traces de l’oralité dans l’Ecart de Valentin Yves Mudimbe et les Etoiles Ecrasées de Pius Ngandu Nkashama,” International Journal of Innovation and Scientific Research, vol. 45, no. 2, pp. 180–192, November 2019.
